Susan Taylor's Love

The weekend before last I was invited to attend a special book party celebrating the release of former Essence Editorial Director, Susan Taylor’s new book, All About Love.

I thought it was special because the party was held at Susan's home in Sag Harbor. All snazzied up in a beautiful boheme French Connection sundress, I was ready to go and luxuriate in that glow, that all encompassing warmth that Susan oozes even with just a glance, when 45-minutes before the event was to start the heavens opened up and Mother Nature just saturated the earth with her goodness. But me and my crew had been looking forward to this soiree all weekend so we just packed it in and yeah my toes were soaked, but it was all good. The party was still on and we were still going to show our support come rain or high water. The reading was moved indoors, which made for a cozy affair in the "play room" of a beautiful house that sits back in the nook of a beautiful block off of the beach. Her granddaughter excitedly let us and all latecomers in through the sliding doors. It was just that intimate, that chill.

My connection to Susan and to Essence goes way back. Outside of being a summer camp counselor and working after school in the NY Public Library, working at Essence was my first real job. I started as an intern supporting the Editor-- Stephanie Stokes Oliver. But then halfway through the school year Stephanie's assistant (and well known Poetry Editor), Angela Kinamore, had to take a few months off from work to take care of her daughter. Initially they were going to hire a temp to assist Stephanie, but then Stephanie said, "Why not just hire Nicole and put her on payroll? She knows the job." I'm sure there may have been some doubtful looks given from management, but in the end I got the job. Oh yeah I forgot to mention, I was only 17 years old and at the time the youngest member on staff. I was stoked! I went to class in the morning and was sitting pretty in my cubicle at 1500 Broadway by 1pm everyday. You couldn't tell me a damn thing. What I remember most from that experience is the support, trust and absolute belief in my abilities that I received everyday from Stephanie, Ionia, Elsie, Cheryl, Nicole and yeah, Susan too. I was mentored and learned proof correction marks in three days. Both Susan and Stephanie used purple pencils. They had their own style and were serious about the business. It was a beautiful experience that forever changed my plans to be a pediatrician and totally led to my career as a writer.

Seeing Susan that Sunday brought all of those memories back to my mind in a flood. She read from her book and it was like coming home or at the very least coming back to the middle. She lives and breathes every word of her "In The Spirit" columns. Still. Please buy the book cause like me you will adore and be humbled by the various interviews and stories about love, respect and commitment. My fave of course is her talk with Alice Coltrane.

Media Madness: The Wire, The Voice & Essence Mag

Last night as I was preparing for bed, I decided to flip to HBO to see what was popping and ended up catching the First Look for the upcoming last season of The Wire. Whoa, that joint was so fascinating that I ended up watching the entire segment! Featuring interviews with cast members about their roles and intertwining that with interviews with real life folk on whose lives these cast members base their characters and then juxtaposing all that against the real-city life of Baltimore it was very insightful and even a tad bit riveting. It totally resonated with me because this upcoming season, if you haven't heard, revolves around the media, The Baltimore Sun, in particular and how the media can distort, challenge and define what is considered factual, especially in criminal investigations and most especially when they involve Black folk, specifically Black men. Catch my drift?

Never mind that it's edgy plots, hard core portrayal of drug slinging and raw characterizations rendered Denzel's American Gangster into nothing more than Ken Burns fodder for me, The Wire ironically and simply is a testament to great screenwriting and amazing journalistic depth.

And I had no idea who or what would be exacted in executive producer David Simon's scope this season so this was a pleasant surprise especially after just griping that afternoon about the absolute booty crust attempt at writing record reviews in this week's Village Voice. Print advertising is down and newspapers are especially shook with corporate buyouts left and right and so I'm guessing editors just don't give a fluck about dope styles, personal voice, description, knowledge of subject matter and general literacy because what I read about Cassidy and Gucci Mane and the rest of dem rappers was most definitely fluckless. I felt like I was reading someone's blog, a scraggly one at that-- run on thoughts tapped out in the middle of the night in a drunken haze of overambition and idiocy. I can't believe this is the same paper that has published gems by writers like Greg Tate, Michael Gonzales, Joan Morgan and Nelson George. Not only did /do I value my work experience at The Voice, but I give soooo much credit to becoming a good writer from reading, writing and inhaling The Voice back in the 90's! Reading that review really hurt me and my sensibilities.

My other beef, no I'll say, utter confoundment, is with Essence Magazine. Can someone (and I know there are folks reading this that know) please explain to me why the January issue was only 170 pages? Either do a year-end double issue like most mags or publish a real full-bodied issue. That joint was so thin... my Pathmark circular is thicker. I knew it had to be a joke especially since Juanita Bynum is on the cover, especially since she was just featured in the previous issue, especially since the feature is based on the same interview from the previous issue. I could not believe they recycled info that was just used. Like I would have forgotten that I just read that mofo four weeks ago. Huh? Before I could even ask what da hell is going on over there, I get hit up by Miles Marshall Lewis about Susan Taylor leaving Essence. What?!? But she is Essence. Yeah something is going on over there. First of all she exits during the holiday break when everything is quiet and closed and then the Times article doesn't even feature quotes from current staff members about her exit. Can someone please hit me up about what’s really going on. You can post anonymously.

And even though this is kinda old, since I'm on the topic of exits and publishing mayhem. Here's some news about Len Burnett and other folk bouncing from Vibe.